I use water‑based acrylic inks for all my printing, mixing them thick, storing them carefully and reviving older colours when needed. In this post, I share how I mix my inks, the colours I keep on hand, and the storage setup that keeps more than 120 pots in good working order.

I use a mix of wooden and aluminium screens in my studio, mostly in 90T and 120T mesh counts. In this post, I explain how I choose between them, why finer meshes don’t suit my thick inks, and how I store screens safely in a very small workspace.

I use a range of squeegees in my studio, from tiny test tools to long pulls for larger screens. In this post, I share the sizes I rely on, how I choose the right width for each print, and why keeping squeegees clean is essential for good results.

Silkscreen printing doesn’t need a huge workshop — just a handful of simple tools. Here are the squeegees, rulers, tapes, and essentials I rely on every day in my shed studio.