My work usually sits somewhere between conceptual and minimalist ideas, but I’m mostly interested in where big, universal themes meet everyday personal moments. This piece — a screen‑printed sandwich on painted plywood — is my way of thinking about how full life can feel, how messy it gets, and how temporary it all is.
The sandwich stands in for the human experience. Each layer hints at the mix of adventures, mistakes, relationships, and losses we collect over time. The way the fillings spill out past the edges matters to me — it suggests the parts of life we can’t control, the moments that slip away or leave marks we didn’t expect.
Using painted plywood was a deliberate choice. It gives the piece a rough, physical presence that plays against the clean lines of the screen print. That contrast between the handmade and the graphic creates its own kind of tension. The size feels personal but still big enough to hold broader ideas.
In the end, the work is really about life as a pile of moments rather than a neat story. It’s about the vivid, chaotic, fleeting bits we try to hold together. I hope it encourages people to think about their own layers, their own spills and imperfections, and maybe find some beauty in the chaos and the fact that nothing lasts forever.
Summary:
Acrylic on plywood
Size: W49.5cm x H64cm
My work usually sits somewhere between conceptual and minimalist ideas, but I’m mostly interested in where big, universal themes meet everyday personal moments. This piece — a screen‑printed sandwich on painted plywood — is my way of thinking about how full life can feel, how messy it gets, and how temporary it all is.
The sandwich stands in for the human experience. Each layer hints at the mix of adventures, mistakes, relationships, and losses we collect over time. The way the fillings spill out past the edges matters to me — it suggests the parts of life we can’t control, the moments that slip away or leave marks we didn’t expect.
Using painted plywood was a deliberate choice. It gives the piece a rough, physical presence that plays against the clean lines of the screen print. That contrast between the handmade and the graphic creates its own kind of tension. The size feels personal but still big enough to hold broader ideas.
In the end, the work is really about life as a pile of moments rather than a neat story. It’s about the vivid, chaotic, fleeting bits we try to hold together. I hope it encourages people to think about their own layers, their own spills and imperfections, and maybe find some beauty in the chaos and the fact that nothing lasts forever.
Summary:
Acrylic on plywood
Size: W49.5cm x H64cm